Filmstru

15.11.2017 2 Comments

The fact that two are directed by Anthony Mann did not affect our decision to select this grouping for our list this week. Wai-Keung Lau and Alan Mak directed. The hoods here—including Harvey Keitel, Tim Roth, Michael Madsen, Steve Buscemi, and in a bit Tarantino himself—are all ex-cons hired by an older ex-con Lawrence Tierney who conceals their identities from one another by assigning them the names of colors. T-Men This crisp thriller marked Anthony Mann's emergence from B movie obscurity, setting him on the path that would lead to his great westerns of the 50s. Filmed in the pseudodocumentary style made popular by Louis de Rochemont, it's the story of two Treasury Department investigators who go underground to smash a counterfeiting ring. Tony Leung In the Mood for Love plays an undercover cop who's spent three years infiltrating a local triad, and Andy Lau Days of Being Wild is his doppelganger, a triad mole rising through the ranks of the police department's organized crime unit. Our grasp of what's going on is always in flux, and Tarantino's skill with actors, dialogue, 'Scope framing, and offbeat construction is kaleidoscopic. The phony realism isn't Mann's style, but he subverts it with some hallucinatory noir compositions and the strong suggestion that his hero Dennis O'Keefe has a much more satisfying life as hood than he does as an upstanding husband. In Cantonese with subtitles.

Filmstru


Our grasp of what's going on is always in flux, and Tarantino's skill with actors, dialogue, 'Scope framing, and offbeat construction is kaleidoscopic. Their only reference point seems to be the mutual antagonism between their respective father figures, a steely police superintendent Anthony Wong and a scheming triad boss Eric Tsang. Wai-Keung Lau and Alan Mak directed. The hoods here—including Harvey Keitel, Tim Roth, Michael Madsen, Steve Buscemi, and in a bit Tarantino himself—are all ex-cons hired by an older ex-con Lawrence Tierney who conceals their identities from one another by assigning them the names of colors. Richard Fleischer directed this nearly perfect B picture with no fuss and lots of grit and polish from a script by Earl Fenton; the capable cinematography belongs to George E. The phony realism isn't Mann's style, but he subverts it with some hallucinatory noir compositions and the strong suggestion that his hero Dennis O'Keefe has a much more satisfying life as hood than he does as an upstanding husband. Tony Leung In the Mood for Love plays an undercover cop who's spent three years infiltrating a local triad, and Andy Lau Days of Being Wild is his doppelganger, a triad mole rising through the ranks of the police department's organized crime unit. More questionable are the show-offy celebrations of brutality: Like The Killing, it employs an intricate flashback structure to follow the before and after of a carefully planned heist and explores some of the homoerotic allegiances, betrayals, and tensions involved; unlike The Killing, it never flashes back to the heist itself and leaves a good many knots still tied at the end. Filmed in the pseudodocumentary style made popular by Louis de Rochemont, it's the story of two Treasury Department investigators who go underground to smash a counterfeiting ring. But the film's best moments have nothing to do with realism, as Mann's black vision lifts the subject out of the commonplace and into a strange, haunting ur-world of elemental violence. T-Men This crisp thriller marked Anthony Mann's emergence from B movie obscurity, setting him on the path that would lead to his great westerns of the 50s. In Cantonese with subtitles. Posted By Patrick Friel on It's unclear whether this macho thriller does anything to improve the state of the world or our understanding of it, but it certainly sets off enough rockets to hold and shake us for every one of its 99 minutes. Neither man knows the other's identity, but after a while neither seems entirely sure of his own either. The fact that two are directed by Anthony Mann did not affect our decision to select this grouping for our list this week.

Filmstru


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2 thoughts on “Filmstru”

  1. Richard Fleischer directed this nearly perfect B picture with no fuss and lots of grit and polish from a script by Earl Fenton; the capable cinematography belongs to George E. Tony Leung In the Mood for Love plays an undercover cop who's spent three years infiltrating a local triad, and Andy Lau Days of Being Wild is his doppelganger, a triad mole rising through the ranks of the police department's organized crime unit.

  2. The hoods here—including Harvey Keitel, Tim Roth, Michael Madsen, Steve Buscemi, and in a bit Tarantino himself—are all ex-cons hired by an older ex-con Lawrence Tierney who conceals their identities from one another by assigning them the names of colors.

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